There Are Other Worlds: An In-Depth Look At The New Album From Polypores

Written by: chris.

Stephen James Buckley, aka Polypores, is an architect of sonic multiverses. He is a modular synthesis wizard that utilizes sound to teleport listeners to uncharted realms. His new album, aptly titled, There Are Other Worlds consistently hits this mark, transporting us through dimension after dimension of layered textures, otherworldly ambience and rich soundscapes that bloom from seemingly nothing. 

For 44 blissful moments, Polypores invites us to surrender to the vast expanse of space, and allow our souls to be guided through eternity. From creation to destruction and into the liminal beyond, Stephen shows us there is nowhere we cannot go with sound as our spaceship. 

After listening, I had to see if Stephen would have a chat with me about the new album …

Synapse: First things first, It’s so great to connect again! I’ve missed chatting regularly during those streaming days. I’ve been keeping up with your output since we were first introduced and I’m always impressed. There’s no question here, it’s just nice to chat again. 

Polypores: Yeah great to talk to you, too! Was always a fan of your digital artwork so the feeling is mutual!

Synapse: There Are Other Worlds, great title. Bandcamp says it comes from the Sun Ra song by the same name. I’ll get to that in a second, but first, it’s a perfectly fitting name, as each song feels like its own little world. Do you start with a larger concept for an album? Or do you just make music and then sort of puzzle together things that fit into a package for release later? 

Polypores: It does vary per album. It's not necessarily a fully fleshed-out concept so much as a general vibe. I've been thinking about this a lot recently in terms of my music, and I think a lot of the time I'm just trying to express something I'm feeling when I'm excited or inspired by something. Be it a book or a film or a particular location or whatever … it's just something unspeakable that is born from a particular set of circumstances, and I express myself based on that I guess.

My earlier music was a lot more strictly concept-driven but now it's a bit more about expressing something which I can't always describe. The unspeakable I guess?

Like this album had a set of things which inspired it, particularly the Ong's Hat / Incunabula stuff, but there were other factors in there, too. It's not strictly a concept album about that, so to speak. I guess you might have experienced this too in your work – creativity doesn't always come about in a way which is explicit or clearly defined.

Synapse: Yeah, definitely. That’s actually a great way to put it. I do feel like I’m trying to express something I don’t really have words for, because otherwise I would just be a writer. Forgive my abhorrent ignorance of modular/analog synthesis here, but similarly, do you have a sort of “patch” in mind that you’ve been thinking about? Like “I specifically want this sound, so I’m going to follow this exact signal flow to achieve it?” or do you more, experiment with things until you find a sweet spot, and then build from there? 

Polypores: A bit of both I guess. Some things are born out of pure experimentation. I start out with a blank canvas and just let myself wander, see what happens. Other times I set out with specific intention in mind.

Synapse: Ok that’s fair. I’d say the same. I’m typically very experimental though and sometimes find it hard to execute the ideas that I have in advance, so even if I do have a concept in mind, it usually goes through a ringer before getting to the final idea, that may have nothing to do with my original plan.

Polypores: Yeah, that sounds familiar.

Synapse: I am also so intrigued by the idea of performing such experimental music live. Am I dumb, and these modules have presets and a memory function, or do you have to remember certain patches and parameters? Can you replicate the exact same thing multiple times? Again, sorry for my ignorance, I promise I won’t make you give me Modular Synthesis 101 in this interview. How do you move from one song to another with different setups in a live setting? Is it just a gradual thing?

Polypores: Oh no it's fine to ask this, I actually really love talking about this stuff. The way I work tends more towards having to remember how things are set up, I don't really use any presets at all. That's not out of any kind of snobbery or attaching a value judgment to them, but for me it's far more fun to build my own sounds from scratch.

So the tracks on this latest record would be near enough impossible for me to recreate live, simply because I'd have to remember how I'd patched my modular synth to create those sounds and sequences. I don't really save anything - once it's done it's done. I tend to record a few takes with one patch, then once I'm happy with it , I dismantle it and start again.

When I play live I tend to have stuff specifically written for live use. I have a live patch set up which changes a bit between gigs but not drastically. But the actual performances will vary a fair bit, and there's a fair amount of improv in there too.

So when people come see me play live, they aren't going to get a "Greatest Hits" or whatever, it won't be anything they've heard before on record. Which some people will hate and some people will love. I dunno, I just prefer it that way, keeps me from getting bored onstage, ya know?

Having said that, recently I have been working with a set which is a bit more repeatable, and finding ways to write stuff that I can actually repeat live. But with the caveat that I can jam/improv a bit within that, so I can keep myself interested. I mainly serve myself with all this stuff. My main thing is to keep myself interested, excited, and inspired. If I was going through the motions onstage I'd fucking hate it.

Moving between tracks is kind of fluid, it tends to gradually morph … but again, that's something that might change next year, I'm trying new ideas in that respect, too.

Synapse: I find that I’m also able to get a lot more into a flow state when I perform ambient music. I’m admittedly not a good DJ, as all my focus goes into the production side of things. When I’m performing ambient music I feel a lot more free to experiment and it results in some of the most fun I’ve had performing. I get super in my head when performing otherwise. 

I think I just made a self discovery.

Polypores: That's good! I find all the best self-discovery moments come when you least expect them. 

Just from random conversations or whatever.

Synapse: Okay. Back to the title. After reading the Bandcamp description I went and listened to that Sun Ra song (and album … it was actually the first time I had really intently listened to him at all). Needless to say it was awesome. I’ll definitely be listening to more. My question: Did the song itself inspire the album, or was it just the title?

Polypores: Yeah that whole album Languidity is my favourite of his I think. The album was done and I was struggling for a title. I was listening to records one morning and I put that one on and I realized, "This is it! This is the title!"

So there wasn't really any direct inspiration, musical or otherwise, the title just seemed to fit.

Synapse: I love those kind of synchronicities. And it does. It’s truly a perfect fit.

Polypores: Me too. 

It's important to pay attention to them, I think, to open yourself up to whatever.

I think so, yeah. I know when I was working on this record I was getting a lot of these little syncs that just felt … right. I seem to get them a lot when I'm in a very creative zone. I love that feeling, it's like everything is charged, somehow.

Synapse: I agree totally. I look at those moments as sort of sign posts on my path that remind me that I am actually still on the right trail.

I get in my head a lot, filled with self doubt, so those signposts do wonders for my brain.

Polypores: Again, can relate.

Synapse: To be honest, I can’t say I’ve met an artist that doesn’t.

Polypores: At least not a good one.

Synapse: Your albums all have this sort of fantastical, alien, organic feeling to them. They seem like storytelling, or for lack of a better word, an escape. Does your life and personal experience inform your music? Or is it more of a fun way to play for you? Does that make sense? I know a lot of people put so much emotion and personal energy into their art, but for me personally, it’s more about the enjoyment of it. It’s play. Like, “Yeah, I’d be a neurotic mess if I didn’t make art, so I'm obviously processing my life experience through it in some way,” but I wouldn’t call the things I make emotional or necessarily say “I put all of me into this.”

Polypores: That's a really good question. 

So previous to Polypores I was making music that had lyrics and I was singing about my feelings or whatever. And that was obviously more overtly emotional. But when I quit singing [and writing] lyrics and started doing Polypores, it felt more like just storytelling I guess, like I was making soundtracks to what was essentially a fantasy. And fantasy/sci-fi escapism is always something I've loved, so that made sense.

But in recent years I feel like it's become more emotionally expressive. Not in a way that's overt, as in "Oh I feel sad, I'll make a sad Polypores track to express how I feel,” but more like it just sort of pours out of me in a way that isn't intentional.

I have a tremendously hard time trying to regulate my emotions. My brain is wired in such a way that things which most people aren't too bothered by are absolutely devastating to me. But I also get extremely excited by stuff – so it's a double-edged sword really. But I think that with this in mind, it seems only natural that the emotion would leak out into the music somehow, even if it's pretty far from explicit. Like, it's not Elliott Smith or Nine Inch Nails or whatever, it's a lot more emotionally abstract. But it's there I think. I certainly feel a sort of catharsis after I've performed live, particularly if I move around a lot – which I almost always do.

Maybe it was always that way I just didn't realize it? I dunno. I'm happy with where it's at now though.

I think sometimes it's not necessarily an emotional thing, but it is an expression of my personality to a large degree. And I can hear that in the music a lot of my friends make, too. I recognize elements of their personality in their music. Which is good. It's genuine, it's a true expression.

Synapse: That’s such a great way to put that. I can definitely relate to that. When you express yourself so authentically, the personal nature just exists within it naturally.

I played a sunrise set a couple of weeks ago that I put A LOT of work and energy into and I definitely came really close to crying on stage a couple of times. It was just such a beautiful moment that was the final touch to SO much effort, it was hard to hold back the emotions.

Polypores: Ah, I bet that was amazing.

I'd love to play more outdoors but it's almost always raining here.

Synapse: I’m from Oregon so I totally understand. We either have festivals in the most brutal heat of summer, or I have to travel to somewhere dry.

I don’t perform much, as it’s not really what I want out of being an artist, but I do put a lot into it when I do to make it a special occasion for the people that care enough to be there.

I’m sure you can relate, at least to the making it special part. That’s one of the things I love about you.

Polypores: Yeah I mean, doing this, it means the world to me. And if people have taken the time out to come and support me, they deserve to get something really good. Anything less than that and I'm letting everyone down, myself included!

Which probably makes me kind of hard to work with sometimes.

Synapse: Couldn’t have said it better myself.

Polypores: But I'm not like, Prince or whatever.

At least not yet.

Similar work ethic though.

Synapse: There’s still time.

I’ll start designing your symbol. 

Polypores: Absolutely! Thank you.

Synapse: This album, along with some others of yours, was released by “Castles In Space,” a mostly ambient label out of the UK. I’m a big fan of most all of their output to be honest. What’s it like working with them? It seems like a dream. They package everything nicely, that’s for sure. Wanna say any nice things about them while I’m prodding? 

Polypores:  Yeah sure, I've done a lot of stuff with them, Colin who runs the label is a truly lovely man who I have a lot of time for. He's built the label up from scratch and is always looking for ways to improve/expand. The stuff he's put out recently has been absolutely phenomenal, he's really taking the label to new places and it's genuinely exciting. The last two records they put out before mine were by Jo Johnson and Paul Cousins respectively, and they were two of the best albums I've heard this year. Really beautiful stuff. 

I should also mention that Gordon who helps run the label is too an absolute legend and puts in a lot of work too. Most people know him via his musical output as Warrington-Runcorn New Town Development Plan, but he's also very good at the record label stuff, too!

Synapse: I think that’s all the questions I really have right now, is there anything else you’d like to say that I didn’t ask while we are here? 

Polypores: I guess I should just thank everyone who's supported the record really. My friends who support me by having faith in me and bigging me up, people who review it, radio shows who play it, and of course people who buy it. It's all very much appreciated!

Maybe I could recommend a couple of albums for people to listen to as well?

Jo Johnson - Let Go Your Fear

https://jojohnson.bandcamp.com/album/let-go-your-fear

Paul Cousins - Oxide Manifesto

https://paulcousins-cis.bandcamp.com/album/oxide-manifesto

A’bear - Glammy Racket

https://a-bear.bandcamp.com/album/glammy-racket

Otherworlders - Hidden Energy/Positive Light

https://auralcanyonmusic.bandcamp.com/album/hidden-energy-positive-light

Horse Lords - Comradely Objects

https://horselords.bandcamp.com/album/comradely-objects-2

Synapse: Truly, thank you for your time. It was wonderful to peek into your life a bit. I’m grateful for you as an artist and creator. It’s a privilege to be able to shine a little bit of spotlight on your journey.

Polypores: Thank YOU, it's been lovely! Nice to get some questions that are a bit different too.

There Are Other Worlds by Polypores

Artist: Polypores

Album: There Are Other Worlds

Available Through: Castles In Space

Rating: 6.9/5

Favorite Song: Follow The Magpie

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